Our new book News in Nordic Architecture includes a special essay by architect Kjetil Trædal Thorsen from Snøhetta with his thoughts on what it means to be nordic.
It’s an interesting essay portrayed with beautiful photografies.
“ ‘Nordic’ relates to something or someone having its roots in Scandinavia. The implicit meanings of someone, or something, being Nordic is, however, much wider, especially when paired up with nouns such as ‘society’, ‘values’ and, why not, ‘architecture’. ” (Kjetil Trædal Thorsen)
– All the buildings are made by Nordic architects and demonstrate the settings for a modern society with great focus on sustainability, social responsibility and good living conditions. All aspects that most of us architects agree upon.
Quote from the foreword in our publication A New Golden Age ‘Nordic Housing’.
– The quality of thoughtfulness given to the designs, accompanied by consistent skills in construction and – most importantly – the liveability of the completed projects. These buildings are an inspiration to the world on techniques and approaches that manifest excellent housing.
Quote from his article ‘Precedents and Prototypes Experiencing Today’s Nordic Housing’ in our publication A New Golden Age Nordic Housing
An old courthouse has been transformed into a tall apartment building placed on top of the exposed bedrock visible in the atrium
Extract from our latest publication A New Golden Age NordicHousing
“The new building is strongly inspired by an internationally recognized Swedish painter with roots in the local area, Bengt Lindström. The plan is made as a basic square floor plan, which is divided into squares like a hashtag. The layout has five apartments wrapped around the central core, with balconies in all four directions.”
Architect: Wingårdh Arkitektkontor . 2015 . Örnsköldsvik, Sweden . 4,920 m2 . Photos by Tord-Rickard Söderström
Extract from our latest publication A New Golden Age Nordic Architecture & Design:
“When I designed the Church of Shadows my most important inspiration was the dualistic play between light and darkness. And how darkness can be important as a design element. I worked with darkness as in a love affair with light. This secret love affair was an important inspiration to me.”
Architect: Vesa Honkonen Architects: Design & Dreams Studio . 2012 . Chengdu, Sichuan, China . 700 m2
– From an architectural point of view, the awareness of both cultural identity and sustainability is really a gift from the society, the consumer and the clients to the profession.
Quote from his article ‘Architecture in Transformation’ in our publication Global Danish Architecture #7.
Peder Elgaard (1968) is Danish practicing architect, founder and owner at ELGAARD Architecture and holder of a Master’s degree in Architectural Heritage, NORDMAK. He is also a regular advisor to the Ministry of Culture, regarding alterations of listed buildings, as well as a former Royal Building Inspector in Copenhagen.
The Bridge of Peace was designed by an Italian architect; Michele De Lucchi. The lighting design belongs to the French designer Philippe Martinaud. The bridge of Peace was built 2010 by the order of the City Hall of Tbilisi with the intention to connect Old Tbilisi with the new district.
– Nordic Light and Shadow are keys to the building section. Openings are organized around sun angles which never get above 47 °. Every year the Director [of the Knut Hamsun center], Bodil Børset, sends me photos of the last horizontal band of sunlight to penetrate before the weeks of winter darkness.
Quote from his article ‘Nordic Shadow’ in our publication A New Golden Age Nordic Architecture & Design, 4 ed.
Steven Holl (1947) is an American practicing architect of partly Norwegian origin, and professor at Columbia University, New York. The owner of Steven Holl Architects, New York, San Francisco and Beijing.
The Hamsum center by Steven Holl Architects, in Hamarøy, Norway, 2009. All photos by Steven Holl Architects.
– A number of seemingly spontaneous developments over the past half century have made it increasingly difficult to continue with the “tradition of the new” in any significant way. If we intended, by this term, the unfinished liberative modern projects as this has been cherished by progressive thinkers since the beginning of the Enlightenment.
Quote from his article ‘On the Tradition of the New’ in our publication A New Golden Age Nordic Architecture & Design 4 ed.
Kenneth Frampton (1930), British architect, critic, historian. Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation at Columbia University, New York.